Representaciones sociales entorno a la música plena en Medellín 2020
El presente proyecto de investigación tuvo como punto de encuentro la Comuna Ocho de la Ciudad de Medellín, sector conocido como Villa Liliam y la participación de un grupo de jóvenes residentes de la misma, integrantes del grupo poblacional denominado afrodescendientes, cuyas edades oscilan entre los 14 y los 24 años de edad, en su mayoría provenientes de estratos socioeconómicos bajos. Para el desarrollo de la investigación se consideró pertinente tomar herramientas que se enmarcan dentro del paradigma de la investigación cualitativa, por ello, la observación participante y charlas realizadas con los jóvenes fueron direccionadas al objetivo de evidenciar algunas de las representaciones sociales que se pueden construir a través de la interacción y la interiorización del ritmo musical denominado Música Plena. Gracias a la participación activa de los integrantes del proyecto, fue posible desarrollar un proceso práctico, donde se propició un acercamiento y una interacción un poco más a fondo con la métrica del género musical que permitió exponer las representaciones sociales que jóvenes afrodescendientes han hecho alrededor de la Música Plena.
Current investigation project had as a meeting point The Comuna 8 of Medellin city, in the sector known as Villa Liliam; with the participation of a group of young people who live in this sector, members of the group of afrodescendant population, theirs ages range between fourteen and twenty four years, most of them come from down socioeconomic strata. For the development of this research, it was considered pertinent takes tools that frame inside the paradigm of the qualitative research, for that reason, the observation to the participants and conversations with the young people it was addressed in order to evidence some of the social representations that can build through the interaction and internalization of the musical rhythm called Plenary Music. Thanks to the active participation of the members of the project, it was possible develops a practical process, where it propitiated a rapprochement and a interaction a little bit more deeply with the metrics of the musical genre that let expose the social representations that afrodescendant young people had done about the Plenary Music.
Current investigation project had as a meeting point The Comuna 8 of Medellin city, in the sector known as Villa Liliam; with the participation of a group of young people who live in this sector, members of the group of afrodescendant population, theirs ages range between fourteen and twenty four years, most of them come from down socioeconomic strata. For the development of this research, it was considered pertinent takes tools that frame inside the paradigm of the qualitative research, for that reason, the observation to the participants and conversations with the young people it was addressed in order to evidence some of the social representations that can build through the interaction and internalization of the musical rhythm called Plenary Music. Thanks to the active participation of the members of the project, it was possible develops a practical process, where it propitiated a rapprochement and a interaction a little bit more deeply with the metrics of the musical genre that let expose the social representations that afrodescendant young people had done about the Plenary Music.
Realizar una serie de Podcast sobre la Música Plena, como representación social de jóvenes afrodescendientes de la Comuna Ocho de Medellín, sector Villa Liliam 2020.
Afrodescendientes, Cultura, Música popular, Subcultura, Dialecto
Mosquera Moreno, Y. (2020). Representaciones sociales entorno a la música plena en Medellín 2020. [Trabajo de grado, Corporación Universitaria Minuto de dios]. Repositorio institucional UNIMINUTO.