La Violencia Colombiana a Través del Cine: Un Libro Ilustrado como Herramienta para la Memoria Colectiva (1960-Presente).
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Date
2025-07-16
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Publisher
Corporación Universitaria Minuto de Dios – UNIMINUTO
Type
Trabajo de Investigación e Innovación
Rights
Acceso Abierto - http://purl.org/coar/access_right/c_abf2
Abstract
Este proyecto de investigación tiene como objetivo la creación de un libro que sirva como herramienta para identificar las producciones cinematográficas que han reflejado los hechos de violencia más representativos de nuestro país, a través de un análisis, ilustración y sinopsis de 20 películas que tienen relación directa o usan la violencia como escenario, se busca desentrañar cómo el cine ha servido como un espejo de las relaciones sociales, políticas y culturales de Colombia, y cómo ha contribuido a la construcción de la memoria colectiva.
Este proyecto usa un enfoque cualitativo, usando el análisis de 20 películas seleccionadas que serán usadas para explorar cada tipo de violencia, dada su clasificación la dividimos en tres categorías, como lo son: violencia urbana, violencia rural y por último violencia política. El resultado clave revela un "efecto dominó" cinematográfico, donde un tipo de violencia desencadena otros, creando un ciclo continuo de representación de la violencia en la narrativa fílmica colombiana.
Esta investigación es relevante porque tiene el potencial de generar un impacto significativo en la forma en que se percibe y se analiza la violencia por medio del cine colombiano; se espera que esta investigación sea de fácil entendimiento y aporte nuevos conocimientos y perspectivas al estudio del cine colombiano, así como a la comprensión de la violencia en el país de manera didáctica usando elementos gráficos llamativos e impactantes por sus componentes y colorimetría, además se tiene la expectativa de obtener un panorama claro y detallado de cómo el cine colombiano ha representado los diferentes tipos de violencia (urbana, rural y política) a lo largo de su historia.
This research project aims to create a book that serves as a tool to identify film productions that have reflected the most representative facts of violence in our country, through an analysis, illustration and synopsis of 20 films that are directly related or use violence as a scenario, it seeks to unravel how cinema has served as a mirror of social, political and cultural relations in Colombia, and how it has contributed to the construction of collective memory. This project uses a qualitative approach, using the analysis of 20 selected films that will be used to explore each type of violence, given its classification we divide it into three categories, such as: urban violence, rural violence and finally political violence. The key result reveals a cinematic "domino effect", where one type of violence triggers others, creating a continuous cycle of violence representation in the Colombian film narrative. This research is relevant because it has the potential to generate a significant impact on the way violence is perceived and analyzed through Colombian cinema; It is expected that this research will be easy to understand and will contribute new knowledge and perspectives to the study of Colombian cinema, as well as to the understanding of violence in the country in a didactic way using striking and striking graphic elements for its components and colorimetry. It is also expected to obtain a clear and detailed picture of how Colombian cinema has represented the different types of violence (urban, rural and political) throughout its history.
This research project aims to create a book that serves as a tool to identify film productions that have reflected the most representative facts of violence in our country, through an analysis, illustration and synopsis of 20 films that are directly related or use violence as a scenario, it seeks to unravel how cinema has served as a mirror of social, political and cultural relations in Colombia, and how it has contributed to the construction of collective memory. This project uses a qualitative approach, using the analysis of 20 selected films that will be used to explore each type of violence, given its classification we divide it into three categories, such as: urban violence, rural violence and finally political violence. The key result reveals a cinematic "domino effect", where one type of violence triggers others, creating a continuous cycle of violence representation in the Colombian film narrative. This research is relevant because it has the potential to generate a significant impact on the way violence is perceived and analyzed through Colombian cinema; It is expected that this research will be easy to understand and will contribute new knowledge and perspectives to the study of Colombian cinema, as well as to the understanding of violence in the country in a didactic way using striking and striking graphic elements for its components and colorimetry. It is also expected to obtain a clear and detailed picture of how Colombian cinema has represented the different types of violence (urban, rural and political) throughout its history.
Description
Elaborar un libro ilustrado que represente visualmente como el cine colombiano ha exhibido los diversos tipos de violencia que han afectado a Colombia, explorando un estilo visual propio, analizando y exponiendo 20 películas colombianas que tienen relación directa con la violencia o la usen como escenario, como medio para reflexionar sobre su impacto sobre la historia, la sociedad y la memoria colectiva.
Keywords
Cine, Violencia, Colombia, gráfico, conflicto, poder.