La música como mecanismo de regulación emocional en víctimas del conflicto armado en la vereda el Corozo del municipio de Uramita
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Date
2025-05-23
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Corporación Universitaria Minuto de Dios
Type
Monografía
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Acceso Abierto - http://purl.org/coar/access_right/c_abf2
Abstract
El presente trabajo investigativo analiza cómo la música ha funcionado como un mecanismo de regulación emocional en las víctimas del conflicto armado en la vereda El Corozo del municipio de Uramita, en el departamento de Antioquia, Colombia, durante los años 1990 a 2007. A partir de un enfoque cualitativo de tipo fenomenológico, se abordaron las experiencias subjetivas de los habitantes que vivieron directamente las consecuencias del conflicto armado, empleando entrevistas semiestructuradas y grupos focales como principales técnicas de recolección de información. La investigación parte de la premisa de que la música, más allá de su dimensión estética, cumple una función psicosocial clave en contextos de adversidad. En este sentido, se evidenció que en El Corozo la música permitió a las personas canalizar emociones como el miedo, la tristeza y la ansiedad, promoviendo espacios de encuentro, cohesión y reconstrucción comunitaria. La música fue utilizada como una vía para reafirmar la identidad individual y colectiva, rescatar la memoria histórica y enfrentar el trauma provocado por la violencia, el desplazamiento forzado y la ruptura del tejido social. Los testimonios recogidos reflejan que las actividades musicales –como reuniones familiares con guitarras, casetas comunitarias y bandas locales– sirvieron como herramientas de resistencia simbólica y emocional frente a los diversos actores armados presentes en la zona. Además, se identificaron efectos positivos en la salud mental de las personas, al ofrecer un refugio emocional en medio del miedo y la incertidumbre. En conclusión, la música emergió como una estrategia resiliente con un fuerte potencial terapéutico, siendo fundamental para los procesos de sanación, reconstrucción y reconciliación en contextos rurales afectados por la guerra.
This research project analyzes how music has functioned as a mechanism for emotional regulation among victims of the armed conflict in the village of El Corozo, located in the municipality of Uramita, in the department of Antioquia, Colombia, during the years 1990 to 2007. Using a qualitative phenomenological approach, the study explores the subjective experiences of inhabitants who directly endured the consequences of the armed conflict, employing semi-structured interviews and focus groups as the main data collection techniques. The research is based on the premise that music, beyond its aesthetic dimension, plays a key psychosocial role in contexts of adversity. In this regard, it was found that in El Corozo, music enabled individuals to channel emotions such as fear, sadness, and anxiety, fostering spaces for connection, cohesion, and community reconstruction. Music was used as a means to reaffirm individual and collective identity, recover historical memory, and cope with trauma caused by violence, forced displacement, and the breakdown of the social fabric. The collected testimonies reflect that musical activities—such as family gatherings with guitars, community events, and local bands—served as tools of symbolic and emotional resistance against the various armed actors present in the area. Additionally, positive effects on mental health were identified, as music provided emotional refuge amid fear and uncertainty. In conclusion, music emerged as a resilient strategy with strong therapeutic potential, playing a fundamental role in processes of healing, reconstruction, and reconciliation in rural communities affected by war.
This research project analyzes how music has functioned as a mechanism for emotional regulation among victims of the armed conflict in the village of El Corozo, located in the municipality of Uramita, in the department of Antioquia, Colombia, during the years 1990 to 2007. Using a qualitative phenomenological approach, the study explores the subjective experiences of inhabitants who directly endured the consequences of the armed conflict, employing semi-structured interviews and focus groups as the main data collection techniques. The research is based on the premise that music, beyond its aesthetic dimension, plays a key psychosocial role in contexts of adversity. In this regard, it was found that in El Corozo, music enabled individuals to channel emotions such as fear, sadness, and anxiety, fostering spaces for connection, cohesion, and community reconstruction. Music was used as a means to reaffirm individual and collective identity, recover historical memory, and cope with trauma caused by violence, forced displacement, and the breakdown of the social fabric. The collected testimonies reflect that musical activities—such as family gatherings with guitars, community events, and local bands—served as tools of symbolic and emotional resistance against the various armed actors present in the area. Additionally, positive effects on mental health were identified, as music provided emotional refuge amid fear and uncertainty. In conclusion, music emerged as a resilient strategy with strong therapeutic potential, playing a fundamental role in processes of healing, reconstruction, and reconciliation in rural communities affected by war.
Description
Identificar la influencia de la música como mecanismo de regulación emocional en víctimas del conflicto armado en la vereda el Corozo del municipio de Uramita durante los años 1990 a 2007
Keywords
HUMANITIES and RELIGION::Aesthetic subjects::Music, emotional regulation, armed conflict, resilience, identity, collective memory, rural community, trauma, música, regulación emocional, conflicto armado, resiliencia, identidad, memoria colectiva, comunidad rural, trauma