Acompañar desde el movimiento: experiencias de danzaterapeutas en su práctica clínica en el Valle de Aburrá durante el 2024-2
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Date
2024-11-08
Authors
Advisors
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Volume Title
Publisher
Corporación Universitaria Minuto de Dios
Type
Monografía
Rights
Acceso Restringido - http://purl.org/coar/access_right/c_16ec
Abstract
El propósito de esta investigación fue conocer la experiencia del danzaterapeuta en su ejercicio clínico, para profundizar en el rol que desempeña como acompañante y entender como ha logrado configurarse como “testigo” de la experiencia del otro en el encuentro terapéutico a través del lenguaje artístico de la danza, y ampliar la comprensión de lo que es danzaterapia. A la vez, acercarse a lo logrado en arteterapia en los últimos años en cuanto a salud mental y bienestar. Este estudio se abordó desde una metodología IBA, Investigación Basada en las Artes, que corresponde a los propios lenguajes artísticos para ser coherente con el objeto de estudio además, se realizaron cuatro entrevistas semiestructuradas de corte fenomenológico desde un enfoque cualitativo, también se realizaron dos ejercicios exploratorios desde la danza con 2 profesionales. De esta manera, el enfoque cualitativo resulta apropiado para capturar las percepciones, significados y vivencias, así como las particularidades del fenómeno desde la óptica de los practicantes, en este contexto, los profesionales de la danzaterapia. Como resultado de la indagación se encontraron las siguientes categorías emergentes: en Experiencia: consciencia corporal y simbolización del movimiento y en acompañamiento en la práctica clínica: relación terapeuta paciente y procesos de cambio.
The purpose of this research was to know the experience of the dance therapist in his clinical practice, to deepen the role he plays as a companion and to understand how he has managed to configure himself as a “witness” of the experience of the other in the therapeutic encounter through the artistic language of dance, and to broaden the understanding of what dance therapy is. At the same time, to approach what has been achieved in art therapy in recent years in terms of mental health and well-being. This study was approached from an IBA methodology, Research Based on the Arts, which corresponds to the artistic languages themselves to be consistent with the object of study in addition, four semi-structured interviews of henomenological cut were conducted from a qualitative approach, also two exploratory exercises were conducted from the dance with 2 professionals. Thus, the qualitative approach is appropriate to capture the perceptions, meanings and experiences, as well as the particularities of the phenomenon from the point of view of the practitioners, in this context, the professionals of dance therapy. As a result of the inquiry, the following emerging categories were found: in Experience: body awareness and symbolization of movement and in accompaniment in clinical practice: therapist-patient relationship and processes of change.
The purpose of this research was to know the experience of the dance therapist in his clinical practice, to deepen the role he plays as a companion and to understand how he has managed to configure himself as a “witness” of the experience of the other in the therapeutic encounter through the artistic language of dance, and to broaden the understanding of what dance therapy is. At the same time, to approach what has been achieved in art therapy in recent years in terms of mental health and well-being. This study was approached from an IBA methodology, Research Based on the Arts, which corresponds to the artistic languages themselves to be consistent with the object of study in addition, four semi-structured interviews of henomenological cut were conducted from a qualitative approach, also two exploratory exercises were conducted from the dance with 2 professionals. Thus, the qualitative approach is appropriate to capture the perceptions, meanings and experiences, as well as the particularities of the phenomenon from the point of view of the practitioners, in this context, the professionals of dance therapy. As a result of the inquiry, the following emerging categories were found: in Experience: body awareness and symbolization of movement and in accompaniment in clinical practice: therapist-patient relationship and processes of change.
Description
Identificar la experiencia de un grupo de danzaterapeutas durante su práctica clínica en el Valle de Aburrá en el periodo 2024-2.
Keywords
Dance therapist, movement, experience, clinical practice, Danzaterapeuta, movimiento, experiencia, práctica clínica