La participación de las mujeres en las Narrativas Cantadas del vallenato
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Date
2023-05
Authors
Barrera Sánchez, William Alfredo
Advisors
Tibaduiza Rodríguez, Oscar Alfredo
Editors
Journal Title
Journal ISSN
Volume Title
Publisher
Corporación Universitaria Minuto de Dios
Type
Thesis
Rights
Atribución-NoComercial-SinDerivadas 2.5 Colombia
Abstract
La configuración de la música ha tenido incidencias profundas en la generación de sentido y, en consecuencia, en la construcción de la cultura. Así, la idea de la mujer, dentro del género musical vallenato, ha sido dada como un fenómeno que se ha fijado desde un orden patriarcal; tanto, desde las Narrativas Cantadas, como desde su participación en las distintas formas de producción del género. En este sentido, esta investigación se centra en el análisis de las prácticas y discursos que han estado presentes en la participación de las mujeres en las Narrativas Cantadas del vallenato. Esta, se diseñó bajo el planteamiento metodológico cualitativo del enfoque interpretativo y la perspectiva epistemológica crítico-hermenéutica. Para lo que se pretende describir las maneras en que se dan las prácticas de invisibilización vivenciadas y experimentadas por las mujeres en las Narrativas Cantadas del vallenato, y categorizar los discursos que legitiman o naturalizan su invisibilización. Para esto, el modelo empleado se basó en la comprensión de las formas de dominio de las sociedades patriarcales y los cambios que propicia el capitalismo
The configuration of music has had a profound impact on the generation of meaning and, consequently, on the construction of culture. Thus, the idea of women, within the Vallenato musical genre, has been given as a phenomenon that has been established from a patriarchal order; both, from the Sung Narratives, and his participation in the different forms of production of the genre. In this sense, this research focuses on the analysis of the practices and discourses that have been present in the participation of women in the Sung Narratives of Vallenato. This was designed under the qualitative methodological approach of the interpretive approach and the critical-hermeneutic epistemological perspective. For this, it is intended to describe how the practices of invisibility experienced and experienced by women in the Sung Narratives of Vallenato occur and to categorize the discourses that legitimize or naturalize their invisibility. For this, the model used was based on understanding the forms of domination of patriarchal societies and the changes that capitalism promotes.
The configuration of music has had a profound impact on the generation of meaning and, consequently, on the construction of culture. Thus, the idea of women, within the Vallenato musical genre, has been given as a phenomenon that has been established from a patriarchal order; both, from the Sung Narratives, and his participation in the different forms of production of the genre. In this sense, this research focuses on the analysis of the practices and discourses that have been present in the participation of women in the Sung Narratives of Vallenato. This was designed under the qualitative methodological approach of the interpretive approach and the critical-hermeneutic epistemological perspective. For this, it is intended to describe how the practices of invisibility experienced and experienced by women in the Sung Narratives of Vallenato occur and to categorize the discourses that legitimize or naturalize their invisibility. For this, the model used was based on understanding the forms of domination of patriarchal societies and the changes that capitalism promotes.
Description
Analizar las prácticas y discursos que han estado presentes en la participación de las
mujeres en las Narrativas Cantadas del vallenato.
Keywords
Narrativas Cantadas, Vallenato, Mujeres, Perspectiva, Violencia Cultural, Equidad de Género, Sung Narratives, Vallenato, Women