Estéticas del Vestuario del Punk Medallo, Como Resistencia Frente al Fenómeno del Narcotráfico Durante los Años (1980 a 1985)
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Date
2020-06-05
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Corporación Universitaria Minuto de Dios
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Atribución-NoComercial-SinDerivadas 2.5 Colombia
Abstract
En los primeros años de la década de los ochentas, se empezó a estructurar una nueva forma de narcotráfico, la creación de los carteles de la mafia, con grandes capos y cambiado las construcciones culturales tanto estéticas como artísticas, el cual también fue estructurando nuevos valores éticos y sociales. Al mismo tiempo en las comunas nor occidentales de Medellín, se iba creando un género musical, hecho por jóvenes que con el tiempo se llamó “punk medallo”, basado, en los principios de los grupos de punk extranjeros, donde se fue estructurando una nueva filosofía, que con el tiempo se iba haciendo resistente al fenómeno del narcotráfico el “hazlo tú mismo”. Haciendo una estética y ética diferente al narcotráfico, esta estética se vio reflejado, en formas de vestir, artísticas y literarias. En este trabajo nos enfocaremos en las formas y usos de vestuario y la analizaremos como forma discursiva, creando una semiótica del cuerpo y como el cuerpo se desarrolla como un lenguaje de resistencia a la “narco cultura” Pardo (2017)
In the early 1980s, a new form of drug trafficking began to be structured, the creation of the mafia cartels, with large bosses and changed cultural constructions both aesthetically and artistically, which also structured new ethical and social values. At the same time, in the northwestern districts of Medellin, a musical genre was being created by young people that was eventually called "punk medal", based on the principles of foreign punk groups, where a new philosophy was being structured, which over time became resistant to the phenomenon of drug trafficking, the "do it yourself". Making an aesthetic and ethics different from drug trafficking, this aesthetic was reflected, in forms of dress, artistic and literary. In this work we will focus on the forms and uses of clothing and analyze them as a discursive form, creating a semiotic of the body and how the body develops as a language of resistance to the "nacre-culture" Pardo (2017).
In the early 1980s, a new form of drug trafficking began to be structured, the creation of the mafia cartels, with large bosses and changed cultural constructions both aesthetically and artistically, which also structured new ethical and social values. At the same time, in the northwestern districts of Medellin, a musical genre was being created by young people that was eventually called "punk medal", based on the principles of foreign punk groups, where a new philosophy was being structured, which over time became resistant to the phenomenon of drug trafficking, the "do it yourself". Making an aesthetic and ethics different from drug trafficking, this aesthetic was reflected, in forms of dress, artistic and literary. In this work we will focus on the forms and uses of clothing and analyze them as a discursive form, creating a semiotic of the body and how the body develops as a language of resistance to the "nacre-culture" Pardo (2017).
Description
Identificar Cuales fueron los discursos que evidenciados en la estética del vestuario en "punk medallo" durante los años de 1980 a 1985 en la comuna noroccidental de Medellín, frente a la cultura del narcotráfico entre los años 1980 a 1985.
Keywords
Punk Medallo, Narco Cultura, Análisis del Discurso, Narco Culture, Discourse Analysis, Wardrobe